The Mammoth Book of Best New SF 25 Page 3

  In only a few years, the online world of electronic magazines has become one of the most reliable places to find quality fiction; already more reliable than most of the print semiprozine market, they’re giving the top print professional magazines a run for their money too, and sometimes beating them.

  The online magazine Subterranean (http://subterraneanpress.com), edited by William K. Schafer, perhaps didn’t have quite as strong a year as they did last year, but still published good stuff, SF and fantasy both, by Jay Lake, K. J. Parker, Catherynne M. Valente, Robert Silverberg, Daniel Abraham, Mike Resnick, Kristine Kathryn Rusch, and others.

  Clarkesworld Magazine (www.clarkesworldmagazine.com), had a strong year, publishing good SF, fantasy, and slipstream stories by Yoon Ha Lee, Lavie Tidhar, Ken Liu, David Klecha and Tobias S. Bucknell, Cat Rambo, Jason Chapman, Nnedi Okorafor, Gord Sellar, and others. Sean Wallace, who announced that he was stepping down in 2010, is returning to join publisher and editor Neil Clarke as an editor on the magazine; apparently he has been working unofficially on Clarkesworld behind the scenes throughout 2011.

  The new online magazine Lightspeed (www.lightspeedmagazine.com), edited by John Joseph Adams, was weaker in its sophomore year than it had been in its freshman year, although it still published worthwhile stuff by Robert Reed, David Farland, Vyler Kaftan, An Owomoyele, and Genevieve Valentine. The online magazine Fantasy, on the other hand, recently taken over by Lightspeed editor John Joseph Adams, had a strong year, publishing good fiction by Lavie Tidhar, James Alan Gardner, Sarah Monette, Cat Rambo, Tim Pratt, Kit Howard, Jeremiah Tolbert, Genevieve Valentine, and others. As mentioned earlier, Fantasy has now been merged with Lightspeed into one electronic magazine, called Lightspeed, that publishes both fantasy and science fiction.

  I’d still like to see the long-running online magazine Strange Horizons (www.strangehorizons.com) publish more SF and less fantasy and slipstream, but they did run good stuff by Lewis Shiner, Gavin J. Grant, Nisi Shawl, Genevieve Valentine, Charlie Jane Anders, Tracey Canfield, and others. Karen Meisner stepped down as fiction editor of Strange Horizons.

  Tor.com (www.tor.com) has established itself as one of the most eclectic genre-oriented sites on the Internet, a website that regularly publishes SF, fantasy, and slipstream, as well as articles, comics, graphics, blog entries, print and media reviews, and commentary. It’s become a regular stop for me, even when they don’t have new fiction posted. This year, they published too many promotional slices of upcoming novels, but also some good fiction by Michael Swanwick, Michael F. Flynn, Harry Turtledove, Catherynne M. Valente, Charlie Jane Anders, and others.

  Abyss & Apex, (www.abyssapex.com), edited by Wendy S. Delmater, featured strong work by Howard V. Hendrix, Cat Rambo, C. W. Johnson, and others.

  Apex Magazine (www.apexbookcompany.com/apex-online) had good stuff by Elizabeth Bear, Catherynne M. Valente, Genevieve Valentine, Kat Howard, and others. Catherynne M. Valente stepped down as editor of Apex Magazine after a brief tenure, and was replaced by Lynne M. Thomas.

  An ezine devoted to “literary adventure fantasy,” Beneath Ceaseless Skies (http://beneath-ceaseless-skies), edited by Scott H. Andrews, had worthwhile fiction by Marie Brennan, Richard Parks, Geoffrey Maloney, Siobhan Carroll, and others.

  Ideomancer Speculative Fiction (www.ideomancer.com), edited by Leah Bobet, published interesting work, usually more slipstream than SF, by Erica Satifka, Georgina Bruce, Alter S. Reiss, and Anatoly Belilovsky.

  The flamboyantly titled Orson Scott Card’s InterGalactic Medicine Show (www.intergalacticmedicineshow.com), edited by Edmund R. Schubert under the direction of Card himself, seemed somewhat weak this year, although they still ran interesting stuff from Aliette de Bodard, Stephen Kotowych, Naomi Kritzer, Jeffrey Lyman, and Tony Pi.

  New SF and fantasy ezine Daily Science Fiction (http://dailysciencefiction.com) devotes itself to the perhaps overly ambitious task of publishing one new SF or fantasy story every day for the entire year. Unsurprisingly, most are undistinguished, but there were some good ones by Lavie Tidhar, Jay Lake, and others.

  New SF ezine M-Brane (www.mbranesf.com) is “on hiatus,” which usually means “out of business,” but we’ll see.

  Fantasy magazine Zahir (www.zahirtales.com), which had transitioned from print to electronic in 2009, went out of business.

  Ezine Redstone Science Fiction (http://redstonesciencefiction.com), edited by a collective, published interesting stuff by Lavie Tidhar, Jeremiah Tolbert, and others.

  Ezine GigaNotoSaurus (http://giganotosaurus.org), edited by Ann Leckie, published one story a month by writers such as Katherine Sparrow, Cat Rambo, Ferrett Steinmetz, and Vylar Kaftan.

  The Australian popular-science magazine Cosmos (www.cosmosmagazine.com) is not an SF magazine per se, but for the last few years it has been running a story per issue (and also putting new fiction not published in the print magazine on their website). Fiction editor Damien Broderick stepped down this year, but was replaced by SF writer Cat Sparks. Interesting stuff by Thoraiya Dyer, Greg Mellor, and others appeared there this year.

  Shadow Unit (www.shadowunit.org) is a website devoted to publishing stories, often by top-level professionals such as Elizabeth Bear and Emma Bull, drawn from an imaginary TV show, sort of a cross between CSI and The X-Files. It seems to be inactive at the moment, or at least nobody has posted anything there since October of last year.

  The ezine Futurismic (http://futurismic.com) seems to no longer be publishing fiction. As far as I can tell, Escape Velocity (www.escapevelocitymagazine.com) and Shareable Futures (http://shareable.net/blog/shareable-futures) are defunct.

  The World SF Blog (http://worldsf.wordpress.com), edited by Lavie Tidhar, is a good place to find science fiction by international authors, and also publishes news, links, roundtable discussions, essays, and interviews related to “science fiction, fantasy, horror, and comics from around the world.”

  Weird Fiction Review (http://weirdfictionreview.com), edited by Ann VanderMeer and Jeff VanderMeer, which occasionally publishes fiction, bills itself as “an ongoing exploration into all facets of the weird,” including reviews, interviews, short essays, and comics.

  Below this point, it becomes harder to find center-core SF, or even genre fantasy/horror, and most of the stories are slipstream or literary surrealism. Sites that feature those, as well as the occasional fantasy (and, even more occasionally, some SF) include Rudy Rucker’s Flurb (www.flurb.net), Revolution SF (www.revolutionsf.com), Coyote Wild (www.coyotewildmag.com); Heliotrope (www.heliotropemag.com); and the somewhat less slip-streamish Bewildering Stories (www.bewilderingstories.com).

  In addition to original work, there’s also a lot of good reprint SF and fantasy stories out there on the Internet too, usually available for free. On all of the sites that make their fiction available for free, Strange Horizons, Tor.com, Fantasy, Subterranean, Abyss & Apex, and so on, you can also access large archives of previously published material as well as stuff from the “current issue.” Most of the sites that are associated with existent print magazines, such as Asimov’s, Analog, and The Magazine of Fantasy & Science Fiction, make previously published fiction and non-fiction available for access on their sites, and also regularly run teaser excerpts from stories coming up in forthcoming issues. Hundreds of out-of-print titles, both genre and mainstream, are also available for free download from Project Gutenberg (http://promo.net/pc/), and a large selection of novels and a few collections can also be accessed for free, to be either downloaded or read on-screen, at the Baen Free Library (www.baen.com/library). Sites such as Infinity Plus (http://www.infinityplus.co.uk) and The Infinite Matrix (www. infinitematrix.net) may have died as active sites, but their extensive archives of previously published material are still accessible.

  An even greater range of reprint stories becomes available if you’re willing to pay a small fee for them. Perhaps the best, and the longest-established, place to find such material is Fictionwise (www.fictionwise.com), where you can
buy downloadable ebooks and stories to read on your PDA, Kindle, or home computer; in addition to individual stories, you can also buy “fiction bundles” here, which amount to electronic collections; as well as a selection of novels in several different genres – you can also subscribe to downloadable versions of several of the SF magazines here, including Asimov’s, Analog, F&SF, and Interzone, in a number of different formats. A similar site is ElectricStory (www.electricstory.com), where in addition to the fiction for sale, you can also access free movie reviews by Lucius Shepard, articles by Howard Waldrop, and other critical material.

  Even if you’re not looking for fiction to read, though, there are still plenty of other reasons for SF fans to go on the Internet. There are many general genre-related sites of interest to be found, most of which publish reviews of books as well as of movies and TV shows, sometimes comics or computer games or anime, many of which also feature interviews, critical articles, and genre-oriented news of various kinds. The best such site is easily Locus Online (http://www.locusmag.com), the online version of the newsmagazine Locus, where you can access an incredible amount of information – including book reviews, critical lists, obituary lists, links to reviews and essays appearing outside the genre, and links to extensive database archives such as the Locus Index to Science Fiction and the Locus Index to Science Fiction Awards – it’s rare when I don’t find myself accessing Locus Online several times a day. As mentioned earlier, Tor.com is giving it a run for its money these days as an interesting place to stop while surfing the web. Other major general-interest sites include SF Site (www.sfsite.com), SFRevu (http://www.sfsite.com/sfrevu), SFCrowsnest (www.sfcrowsnest.com), SFScope (www.sfscope.com), io9 (http:io9.com), Green Man Review (http://greenmanreview.com), The Agony Column (http://trashotron.com/agony), SFFWorld (www.sffworld.com), SFReader (sfreader.com), SFWatcher (www.sfwatcher.com), Salon Futura (www.salonfutura.net), which runs interviews and critical articles; and Pat’s Fantasy Hotlist (www.fantasyhotlist.blogspot.com). A great research site, invaluable if you want bibliographic information about SF and fantasy writers, is Fantastic Fiction (www.fantasticfiction.co.uk). Reviews of short fiction as opposed to novels are very hard to find anywhere, with the exception of Locus and Locus Online, but you can find reviews of both current and past short fiction at Best SF (www.bestsf.net/), as well as at pioneering short-fiction review site Tangent Online (www.tangentonline.com). Other sites of interest include: SFF NET (www.sff.net), which features dozens of home pages and “newsgroups” for SF writers; the Science Fiction Writers of America page (www.sfwa.org) where genre news, obituaries, award information, and recommended reading lists can be accessed; SciFiPedia (scifipedia.scifi.com), a Wiki-style genre-oriented online encyclopedia; Ansible (www.dcs.gla.ac.uk/Ansible), the online version of multiple Hugo winner David Langford’s long-running fanzine Book View Café (www.bookviewcafe.com) is a “consortium of over twenty professional authors,” including Vonda N. McIntyre, Laura Ann Gilman, Sarah Zittel, Brenda Clough, and others, who have created a website where work by them – mostly reprints and some novel excerpts – is made available for free.

  An ever-expanding area, growing in popularity, are a number of sites where podcasts and SF-oriented radio plays can be accessed: at Audible (www.audible.com), Escape Pod (http://escapepod.org, podcasting mostly SF), Star Ship Sofa (www.starshipsofa.com), Pseudopod (http://pseudopod.org, podcasting mostly fantasy), and PodCastle (http://podcastle.org, podcasting mostly fantasy). There’s also a site that podcasts nonfiction interviews and reviews, The Dragon Page—Cover to Cover (www.dragonpage.com).

  The three best SF anthologies of the year were all edited by Jonathan Strahan: Engineering Infinity (Solaris Books), Life on Mars: Tales from the New Frontier (Viking), and Eclipse Four: New Science Fiction and Fantasy (Night Shade Books). Engineering Infinity (my selection for the year’s single best SF anthology) contained excellent work by David Moles, Gwyneth Jones, Karl Schroeder, and Stephen Baxter, as well as good work by Hannu Rajaniemi, Peter Watts, John Barnes, and others. The YA anthology Life on Mars contained first-rate stuff by Ian McDonald, John Barnes, and Kage Baker, as well as good work by Nancy Kress, Alastair Reynolds, Stephen Baxter, Ellen Klages, and others. Eclipse Four, which, unlike the first two books mentioned here, features fantasy and slipstream as well as SF, had excellent work of various sorts by Andy Duncan, Damien Broderick, Gwyneth Jones, and Peter M. Ball, as well as good work by Caitlin R. Kiernan, Jo Walton, James Patrick Kelly, Kij Johnson, Rachel Swirsky, and others. All of this would be sufficient to make Strahan a good candidate for the 2011 Best Editor Hugo Short Form, in my opinion – although as an anthology editor whose anthologies may not have been seen by a large-enough proportion of the voting demographic, that may not be likely.

  Although not as strong as the anthologies mentioned earlier, the reborn version of the old Solaris anthology series, now called Solaris Rising: The New Solaris Book of Science Fiction (Solaris Books) and edited by new editor Ian Whates, turned in a solid debut performance, consisting of almost all center-core SF, and featuring good work by Dave Hutchinson, Ian McDonald, Ken MacLeod, Alastair Reynolds, Stephen Palmer, Keith Brooke and Eric Brown, and others. Ian Whates also brought out two more minor but enjoyable original anthologies, Further Conflicts (NewCon Press) and Fables from the Fountain (NewCon). Print magazine MIT Technology Review published a special all-fiction issue, supposedly the start of an annual series, which featured intelligent core SF by Pat Cadigan, Ken MacLeod, Gwyneth Jones, Elizabeth Bear, Vandana Singh, Cory Doctorow, Paul Di Filippo, and others. Postscripts 24/25 (PS Publishing) featured mostly slipstream, fantasy, and soft horror, too much of it for my taste, but did also feature strong SF stories by Ken MacLeod, Keith Brooke, and Adam Roberts. Panverse Three (Panverse Publishing), an all-novella anthology edited by Dario Ciriello, featured strong novellas by Ken Liu and Don D’Ammassa. Welcome to the Greenhouse (OR Books), edited by Gordon Van Gelder, was somewhat disappointing overall, although it had interesting work by Chris Lawson, Bruce Sterling, Gregory Benford, Brian W. Aldiss, and others. There were two steampunk anthologies, Steampunk!: An Anthology of Fantastically Rich and Strange Stories (Candlewick Press), edited by Kelly Link and Gavin J. Grant and The Immersion Book of Steampunk (Immersion Press), edited by Gareth D. Jones and Carmelo Rafala, as well as the steampunkish Gaslight Arcanum: Uncanny Tales of Sherlock Holmes (Hades/EDGE Science Fiction and Fantasy Publishing), edited by J. R. Campbell and Charles Prepolec (and, in fantasy, the Dann and Gevers Ghosts by Gaslight, mentioned later).

  Pleasant but minor SF anthologies included End of an Aeon (Fairwood Press), edited by Bridget McKenna and Marti McKenna, an anthology made up of stories leftover in inventory from the now-deceased small press magazine Aeon; Human for a Day (DAW Books), edited by Martin H. Greenberg and Jennifer Brozek; and The Wild Side: Urban Fantasy with an Erotic Edge (Baen), edited by Mark L. Van Name. L. Ron Hubbard Presents Writers of the Future Volume XXVII (Galaxy Press), edited by K. D. Wentworth, is the latest in a long-running series featuring novice work by beginning writers, some of whom may later turn out to be important talents.

  The best of the year’s fantasy anthologies (although an argument could be made for putting it in with the urban fantasy and paranormal anthologies discussed later) was probably Subterranean: Tales of Dark Fantasy 2 (Subterranean Press), edited by William Schafer, and featuring good stories by K. J. Parker, Bruce Sterling, William Browning Spencer, Jay Lake and Shannon Page, Norman Patridge, Kelley Armstrong, and others.

  Pleasant but minor fantasy anthologies included Courts of the Fey (DAW Books), edited by Martin H. Greenberg and Russell Davis, and Hot and Steamy: Tales of Steampunk Romance (DAW Books), edited by Jean Rabe and Martin H. Greenberg.

  There were a number of anthologies exploring the confusing and sometimes contradictory area now known as “urban fantasy,” including Naked City: Tales of Urban Fantasy (St. Martin’s Press), edited by Ellen Datlow; Supernatural Noir (Dark Horse Books), edited by Ellen Datlow; Down These Stran
ge Streets (Ace), edited by George R. R. Martin and Gardner Dozois; Ghosts by Gaslight (HarperCollins Voyager), edited by Jack Dann and Nick Gevers; Welcome to Bordertown: New Stories and Poems of the Borderlands (Random House), edited by Holly Black and Ellen Kushner; and Home Improvement: Undead Edition (Ace), edited by Charlaine Harris and Toni L. P. Kelner. Original horror anthologies included Teeth: Vampire Tales (Harper), edited by Ellen Datlow and Terry Windling; Blood and Other Cravings (Tor), edited by Ellen Datlow; A Book of Horrors (Jo Fletcher Books), edited by Stephen Jones; Zombiesque (DAW Books), edited by Stephen L. Antczak, James C. Basser, and Martin H. Greenberg; and a mixed reprint and original shapeshifter anthology, Bewere the Night (Prime Books), edited by Ekaterina Sedia.

  Less easily classifiable stuff, dancing on the edge of one genre or another, included the entertaining and vaguely steampunkish The Thackery T. Lambshead Cabinet of Curiosities (Harper Voyager), edited by Ann and Jeff VanderMeer; Kafkaesque (Tachyon Publications), edited by John Kessel and James Patrick Kelly; and Tesseracts Fifteen: A Case of Quite Curious Tales (Hades/EDGE Science Fiction), edited by Julie E. Czerneda and Susan MacGregor.

  Shared-world anthologies included In Fire Forged (Baen Books), edited by David Weber; Golden Reflections: Stories of the Mask (Baen Books), edited by Joan Spicci Saberhagen and Robert E. Vardeman; and Under the Vale and Other Tales of Valdemar (DAW Books), edited by Mercedes Lackey.

  Short-fiction stalwarts such as Robert Reed, Michael Swanwick, and Ken MacLeod published a lot of good work this year, as usual, but so did prolific younger writers such as Lavie Tidhar, Ken Liu, Cat Rambo, Catherynne M. Valente, and Genevieve Valentine. Stories about Mars seemed popular this year, as did stories about ecological terrorists, and stories where SF was disguised as fantasy or even as fairy tales.