The Year's Best Science Fiction: Twentieth Annual Collection Read online

  A new anthology by Peter Crowther and Robert Silverberg’s Legends II is about all there is to look forward to in the original anthology market for next year. Maybe the long-promised Greg Benford anthology will finally appear. Not a lot else on the horizon.

  Addresses: PS Publishing, 98 High Ash Drive, Leeds L517 8RE, England, UK—$14.00 for V.A.O., by Geoff Ryman, $14.00 for Riding the Rock, by Stephen Baxter, $14.00 for The Tain, by China Mieville; Golden Gryphon Press, 3002 Perkins Road, Urbana, IL 61802—$15.95 for Turquoise Days, by Alastair Reynolds; Conjunctions, Bard College, Annandale-on-Hudson, NY 12504—$15 for Conjunctions 39: The New Wave Fabulists; Wheatland Press, P.O. Box 1818, Wilsonville, OR 97070—$16.95 for Polyphony; Subterranean Press, P.O. Box 190106, Burton, MI 48519—$40.00 for Embrace the Mutation; Ministry of Whimsy Press, P.O. Box 4248, Tallahasse, FL 32315—$21.95 for Leviathan 3; Cumberland House, 431 Harding Industrial Drive, Nashville, TN 37211—$14.95 for In the Shadow of the Wall; DreamHaven Books, 912 W. Lake Street, Minneapolis, MN 55408—$75.00 for Shelf Life: Fantastic Stories Celebrating Bookstores; The Bakka Collection, 598 Yonge Street, Toronto, ONT M4Y 1Z3—$30.00 for The Bakka Anthology.

  2002 seemed like a pretty strong year for novels, in spite of all the moaning about how SF is dying and there’s nothing worthwhile to read left out there on the bookstore shelves. According to the newsmagazine Locus, there were 2,241 books “of interest to the SF field,” both original and reprint, published in 2002, up by 4% from 2001’s total of 2,158. Original books were up by 5% to 1,271 from last year’s total of 1,210; reprint books were up by 2% to 970 titles over last year’s total of 948. The number of new SF novels was up slightly, with 256 new titles published as opposed to 251 novels published in 2001. The number of new fantasy novels was also up, to 333, as opposed to 282 novels published in 2001. Horror, however, was down, dropping to 112 from last year’s total of 151. And, for the most part, these totals don’t even reflect print-on-demand novels, novels offered as downloads on the internet, media tie-in-novels, novelizations of movies, gaming novels, or novels drawn from TV shows such as Charmed, Angel, and Buffy, the Vampire Slayer.

  Even sticking to the SF novels alone, that’s a lot of novels. How many of the people who complain that “there’s nothing to read out there” have really sampled even a small percentage of them, let alone all 256?

  I myself didn’t have time to read many novels this year, with all the reading I have to do at shorter lengths. So instead I’ll limit myself to mentioning novels that received a lot of attention and acclaim in 2002 include: Guardian (Ace), Joe Haldeman; Schild’s Ladder (Eos), Greg Egan; Probability Space (Tor), Nancy Kress; The Years of Rice and Salt (Bantam), Kim Stanley Robinson; Bones of the Earth (Eos), Michael Swanwick; Coyote (Ace), Allen Steele; Light Music (Eos), Kathleen Ann Goonan; The Scar (Del Rey), China Mieville; The Praxis (Avon), Walter Jon Williams; Redemption Ark (Ace), Alastair Reynolds; Evolution (Del Rey), Stephen Baxter; The Disappeared (Roc), Kristine Kathryn Rusch; Light (Gollancz), M. John Harrison; Castles Made of Sand (Gollancz), Gwyneth Jones; The Lady of the Sorrows (Warner Aspect), Cecilia Dart-Thornton; Shadow Puppets (Tor), Orson Scott Card; Kiln People (Tor), David Brin; Vitals (Del Rey), Greg Bear; Engine City (Tor), Ken MacLeod; The Fall of the Kings (Bantam Spectra), Ellen Kushner & Delia Sherman; Ares Express (Earthlight), Ian McDonald; The Sky So Big and Black (Tor), John Barnes; Transcension (Tor), Damien Broderick; Chindi (Ace), Jack McDevitt; Empire of Bones (Bantam Spectra), Liz Williams; The Omega Expedition (Tor) Brian Stableford; The Visitor (Eos), Sheri S. Tepper; The Impossible Bird (Tor), Patrick O’Leary; Ruled Britannia (NAL), Harry Turtledove; The Separation (Scribner UK), Christopher Priest; Spaceland (Tor), Rudy Rucker; A Winter Haunting (Morrow), Dan Simmons; The Translator (Morrow), John Crowley; White Apples (Tor), Jonathan Carroll; The Devil and Deep Space (Roc), Susan R. Matthews; Permanence (Tor), Karl Schroeder; Pitcher’s Brides (Tor), Gregory Frost; Explorer (DAW), C. J. Cherryh; Kushiel’s Chosen (Tor), Jacqueline Carey; The Longest Way Home (Eos), Robert Silverberg; Dark Ararat (Tor), Brian Stableford; Resurgence (Baen), Charles Sheffield; Manifold: Origin (Del Rey), Stephen Baxter; Night Watch (HarperCollins), Terry Pratchett; Burning the Ice (Tor), Laura J. Mixon; The King (Ace), David Feintuch; Jupiter (Tor), Ben Bova; The Alchemist’s Door (Tor), Lisa Goldstein; and Coraline (Harper), Neil Caiman.

  The first novels that drew the most attention this year seemed to be The Golden Age (Tor), John C. Wright, A Scattering of Jades (Tor), Alexander C. Irvine, and The Atrocity Archive, Charles Stress (the Stress suffering under the handicap of only appearing as a serial in Spectrum SF magazine, and not yet in book form; in spite of this, it got a lot of notice). Other first novels included: Solitaire (Eos), Kelly Eskridge; The Summer Country (Ace), James A. Hetley; Fires of the Faithful (Bantam Spectra), Naomi Kritzer; The Red Church (Pinnacle), Scott Nicholson; The Eve of Night (Bantam Spectra), Pauline J. Alama; Altered Carbon (Del Rey), Richard Morgan; Warchild (Warner Aspect), Karin Lowachee; Just Like Beauty (Farrar, Straus, Giroux), Lisa Lerner; and The God Who Beget a Jackal (Picador USA), Nega Mezlekia.

  Looking over these lists, it’s clear that Tor, Eos, and Ace had strong years, although Del Rey had a pretty good year as well. And in spite of the usual critical chorus about how science fiction is “dying” or being driven off the shelves by fantasy, it’s clear that the majority of novels here are center-core science fiction. Even omitting the fantasy of novels and the borderline genre-straddling work from the list, the Egan, the Kress, the two Baxters, the Reynolds, the McDevitt, the Swanwick, the Stablefords, the Barnes, the Goonan, the Harrison, the Bear, the Bova, the Sheffield, the Silverberg, the McDonald, the McDevitt, the Williams, the MacLeod, the Brin, the Card, the Steele, and almost a dozen others are clearly and unmistakably science fiction, many of them “hard science fiction” at that. Pretty fair numbers for an endangered species!

  Meanwhile, this is the best time in decades to pick up new editions of long out-of-print classics of science fiction and fantasy, books that have been unavailable to the average reader since the ’70s in some cases. Throughout the last two decades, reissues had become as rare as the proverbial hen’s teeth, as shortsighted bottom-line corporate publishing practices meant that books almost never came back into print once they had gone out of it, and that reprints of even older classics were out of the question. Now, however, the ice is beginning to break up a bit. The SF Masterworks and the Fantasy Masterworks reprint series, from English publisher Millennium, have brought forth slews of classic reprints during the last few years, joined by American lines such as Tor Orb, Del Rey Impact, Baen Books, and Vintage, as well as print-on-demand publishers such as Wildside and Big Engine, and Internet sites such as Fictionwise and Electric Story, where classic novels and stories are available for purchase in downloadable form. This year, ibooks joined in with a wave of classic reprints, including Robert Silverberg’s Dying Inside, Up the Line, and The Man in the Maze, Brian W. Aldiss’s Helliconia triology, Greg Bear’s Blood Music and Strength of Stories, William Rotsler’s Patron of the Arts, Roger Zelazny’s collection The Last Defender of Camelot, an omnibus of three Barry Malzberg novels collected as On a Planet Alien, and Harlan Ellison’s famous anthology Dangerous Visions; Vintage reissued a flood of Philip K. Dick titles, including Time Out of Joint, Dr. Bloodmoney, Clans of the Alphane Moon, The Simulacra, Counter-Clock World, The Man Who Japed, and The Zap Gun (if you can afford only one of these, make it Time Out of Joint, one of Dick’s best; some of the others are rather minor), as well as reprints of Samuel R. Delany’s Nova (one of the best and most influential books of its decade) and a combination volume consisting of his Babel-17/Empire Star . Orb published an omnibus by Hal Clement, Heavy Planet, containing his novels Mission of Gravity and Star Light, plus other related material, and an omnibus of three of James White’s “Sector General” novels, Alien Emergencies, as well as a reissue of A E. Van Vogt’s The World of Null-A. Tor reprinted Frank Herbert’s The Green Brain and The Santaroga Barrier, as well as releasing om
nibus collections of “Stainless Steel Rat” novels by Harry Harrison, A Stainless Steel Trio, and of “Dorsai” novels by Gordon R. Dickson, Dorsai Spirit. Baen released an omnibus collection of “Lord Darcy” stories and novels by Randall Garrett, Lord Darcy, as well as an omnibus of “Miles Vorkesigan” novels by Lois McMaster Bujold, Miles Errant, and a collection of stories and novels by James H. Schmitz, Eternal Frontier. Gollancz reprinted Jack Vance’s Big Planet, Joe Haldeman’s Worlds, Samuel R. Delany’s The Jewels of Aptor, Robert Silverberg’s The Masks of Time, John Sladek’s Tik-Tok, and Ian Watson’s The Jonah Kit. Big Engine made available an omnibus of Brian Stableford novels, Swan Songs: The Complete Hooded Swan Collection, as well as Leigh Kennedy’s novel The Journal of Nicholas the American; Perennial reprinted John Crowley’s Little, Big, and issued an omnibus of three other Crowley novels, Otherwise. NESFA Press issued an omnibus of novels by Fredric Brown, Martians and Madness: The Complete SF Novels of Fredric Brown, and an omnibus of Robert Sheckley novels, Dimensions of Sheckley. Tachyon Publications reissued Pat Murphy’s The Shadow Hunter and Avram Davidson’s The Phoenix and the Mirror. Overlook Press reissued Evangeline Walton’s The Maginogion Tetralogy; Del Rey reissued Nicola Griffith’s Ammonite; and Starscape reprinted Orson Scott Card’s Ender’s Game.

  And no doubt there were other reprints that I’ve missed.

  As I said, this is the best time in decades to pick up new editions of long out-of-print work, so go out and get them while you can!

  I’ve almost given up trying to guess which novels are going to win the year’s major awards, especially as SFWA’s weird and dysfunctional “rolling eligibility” rule means that books that already won a Hugo last year, such as Neil Caiman’s American Gods, get to go head-to-head with new novels such as Michael Swanwick’s Bones of the Earth. To be fair, it’s hard to see a clear or obvious winner for the Hugo, either. We’ll just have to wait and see.

  Small-press original novels of interest this year included Charles L. Harness’s Cybele, with Bluebonnets (NESFA Press), an autobiographical novel with some fantastic elements, and Carol Emshwiller’s The Mount (Small Beer Press).

  Associational novels by SF writers this year included a mystery novel by Ray Bradbury, Let’s All Kill Constance (HarperCollins/Morrow).

  Mail-order information: NESFA Press, P.O. Box 809, Frammghan, MA 01701-0809—$21 (plus $2.50 shipping in all cases) for Cybele, with Bluebonnets, by Charles Harness, $29.00 (plus $2.50 shipping) for Martians and Madness: The Complete SF Novels of Fredric Brown, $29.00 for Dimensions of Sheckley, by Robert Sheckley; Small Beer Press, 360 Atlantic Avenue, PMB #132, Brooklyn, NY 112117—$16 for The Mount, by Carol Em-shwiller; Tachyon Publications, 1459 18th Street #139, San Francisco, CA 94107—$14.95 for The Shadow Hunter, by Pat Murphy, $15.00 for The Phoenix and the Mirror, by Avram Davidson.

  It was another good year for short-story collections. The year’s best collections included: The Birthday of the World (HarperCollins), by Ursula K. Le Guin; Black Projects, White Nights; The Company Dossiers (Golden Gryphon), by Kage Baker; Toast and Other Rusted Futures (Cosmos), by Charles Stress; Worlds Enough & Time (Subterranean), by Dan Simmons; Strange But Not a Stranger (Golden Gryphon), by James Patrick Kelly; The Retrieval Artist and Other Stories (Five Star), by Kristine Kathryn Rusch; Vinland the Dream and Other Stories (Voyager), In Another Country and Other Short Novels (Five Star), by Robert Silverberg; Stories of Your Life and Others (Tor), by Ted Chiang; The Lady Vanishes and Other Oddities of Nature (Five Star), by Charles Sheffield; Everything’s Eventual (Scribner), by Stephen King, Aristotle and the Gun and Other Stories (Five Star), by L. Sprague de Camp; and Phase Space (Voyager), by Stephen Baxter. (It’s worth noting that the Le Guin, the Baker, the Stress, the Simmons, the Kelly, the Rusch, and the Chiang collections all contain original stories.)

  Other good collections included The Fantasy Writer’s Assistant and Other Stories (Golden Gryphon), by Jeffery Ford; The Great Escape (Golden Gryphon), by Ian Watson; Strangers and Beggars (Fairwood Press), by James Van Pelt; Hunting the Snark and Other Short Novels (Five Star), by Mike Resnick; Rosetti Song: Four Stories (Small Beer Press), by Alex Irvine; Dragon’s Island and Other Stories (Five Star), by Jack Williamson; The Mountain Cage and Other Stories (Meisha Merlin), by Pamela Sargent; Human Voices (Five Star), by James Gunn; Counting Up, Counting Down (Del Rey), by Harry Turtledove; The Ogre’s Wife (Obscura Press), by Richard Parks; Babylon Sisters and Other Posthuman Stories (Prime), by Paul Di Filippo; God Is an Iron and Other Stories (Five Star), by Spider Robinson; Little Doors (Four Walls, Eight Windows), by Paul Di Filippo; Generation Gap and Other Stories (Five Star), by Stanley Schmidt; If Lions Could Speak (Cosmos), by Paul Park; Report to the Men’s Club and Other Stories (Small Beer Press), by Carol Emshwiller; Death and the Librarian and Other Stories (Five Stars), by Esther Friesner; Waifs and Strays (Viking), by Charles de Lint; Through My Glasses Darkly (KaCSFFS Press), by Frank Robinson, selected and edited by Robin Wayne Bailey; Claremont Tales II (Golden Gryphon), by Richard Lupoff; Swift Thoughts (Golden Gryphon), by George Zebrowski; and Lord Stink and Other Stories (Small Beer Press), Judith Berman.

  The year also featured excellent retrospective collections such as The Collected Stories of Greg Bear (Tor), by Greg Bear; Smoke Ghost & Other Apparitions (Midnight House), by Fritz Leiber; Going For Infinity (Tor), by Poul Anderson; Keith Laumer: The Lighter Side (Baen), by Keith Laumer; One More for the Road (Morrow), by Ray Bradbury; The Amazing Dr. Darwin (Baen), by Charles Sheffield; Selected Stories of Philip K. Dick (Pantheon), by Philip K. Dick; Nightmare at 20,000 Feet (Tor), by Richard Matheson; Med Ship (Baen), by Murry Leinster; The Collected Stories of Jack Williamson; Volume Four: Spider Island and Other Stories, by Jack Williamson; The Emperor of Dreams (Gollancz), by Clark Ashton Smith; Maps: The Uncollected John Sladek (Big Engine), by John Sladek; and Bright Segment: The Complete Short Stories of Theodore Sturgeon, Volume VIII (North Atlantic), by Theodore Sturgeon.

  It’s good to see regular trade publishers such as Tor and HarperCollins publishing collections, especially major, important collections such as the Bear, the Anderson, the Chiang, and the Le Guin, but, as has been true for many years now, it’s still the small press publishers who are publishing the bulk of the year’s collections. New book line Five Star Books exploded on the scene with an unprecedented twelve collections, but Golden Cryphon Press held its own with six, and may have had the edge in overall quality, although both houses brought out first-rate collections this year. But as you can see from the lists above, publishers such as NESFA Press, Four Walls, Eight Windows, and North Atlantic remain important as well, as do even smaller presses such as Fairwood Press. Print-on-demand collections are becoming more frequent as well, with collections from Charles Stross, Paul Park, John Sladek, and others, coming out from POD houses such as Cosmos/Wildside and Big Engine, and I suspect that this area will grow in importance as a source of short-story collections as the years go by. (Toast, by Charles Stross and If Lions Could Speak, by Paul Park can be ordered from Wildside Press at www.wildsidepress.com. Maps: the Uncollected John Sladek, by John Sladek, can be ordered from Big Engine Press at www.bigengine.com.)

  “Electronic collections” continue to be available for downloading online at sites such as Fictionwise and ElectricStory, and I expect that this area will continue to grow as we progress into the century as well.

  As very few small-press titles will be findable in the average bookstore, or even in the average chain superstore, means that mail-order is still your best bet, and so I’m going to list the addresses of the small-press publishers mentioned above who have little presence in most bookstores: Golden Gryphon Press, 3002 Perkins Road, Urbana, IL 61802—$24.95 for Black Projects, White Knights: The Company Dossiers, by Kage Baker, $25.95 for Strange but Not a Stranger, by James Patrick Kelly, $23.95 for The Fantasy Writer’s Assistant and Other Stories, by Jeffrey Ford, $23.95 for The Great Escape, by Ian Watson, $23.95 for Claremont Tales II, by Richard Lupoff; $24.95 for Swift Thoughts
, by George Zebrowski; Midnight House, 4128 Woodland Park Ave., N. Seattle, WA 98103—$40.00 for Smoke Ghost and Other Apparitions, by Fritz Leiber; Fairwood Press, 5203 Quincy Ave SE, Auburn, WA 98092—$17.99 for Strangers and Beggars, by James Van Pelt; Haffner Press, 5005 Crooks Rd., Suite 35, Royal Oak, MI 48G73-1239—$35.00 plus $5.00 postage for The Collected Stories of Jack Williamson, Volume Four: Spider Island and Other Stories, by Jack Williamson; Small Beer Press, 360 Atlantic Avenue, PMB# 132, Brooklyn, NY 11217—$16.00 for Report to the Men’s Club and Other Stories, by Carol Emshwiller, $6.00 including shipping for Rosetti Song: Four Stories, by Alex Irvine, $6.00 including shipping for Lord Stink and Other Stories, by Judith Berman; Obscura Press, P.O. Box 1992, Ames, 1A, 50010—$18.95 for The Ogre’s Wife, by Richard Parks; KaCSFFS Press, P.O. Box 36212, Kansas City, MO, 64171-6212—$15.00 for Through My Glasses Darkly, by Frank M. Robinson; Prime, P.O. Box 36503, Canton, OH 44735—$17.95 for Babylon Sisters and Other Posthuman Stories, by Paul Di Filippo; North Atlantic Press, P.O. Box 12327, Berkeley, CA 94701—$35.00 for Bright Segment: The Complete Short Stories of Theodore Sturgeon, Volume VIII.

  2002 was another strong year for reprint anthologies; in fact, the reprint anthology market was actually stronger than the original anthology market, with a lot more value for your buck.

  Among the most reliable bets for your money in this category, as usual, were the various “Best of the Year” anthologies. This year, science fiction was covered by three “Best of the Year” anthology series: the one you are holding in your hand (presumably, unless you’re levitating it with your vast mental powers), The Year’s Best Science Fiction series from St. Martin’s, now up to its twentieth annual volume; the Year’s Best SF series (Eos) edited by David G. Hartwell, now up to its eighth annual volume, and a new science fiction “Best of the Year” series added to the mix last year, Science Fiction: The Best of 2002 (ibooks), edited by Robert Silverberg and Karen Haber. Once again, there were two Best of the Year anthologies covering horror in 2002: the latest edition in the British series The Mammoth Book of Best New Horror (Robinson, Caroll & Graff), edited by Stephen Jones, now up to Volume Thirteen, and the Ellen Dallow half of a huge volume covering both horror and fantasy, The Year’s Best Fantasy and Horror (St. Martin’s Press), edited by Ellen Datlow and Terri Windling, this year up to its Fifteenth Annual Collection. For the second year in a row, fantasy is being covered by three Best of the Year anthologies, by the Windling half of the Datlow/Windling anthology, by the Year’s Best Fantasy (Eos), edited by David G. Hartwell and Katherine Cramer, now up to its third annual volume, and by a new “Best of the Year” series covering fantasy introduced last year, Fantasy: The Best of 2002 (ibooks), edited by Robert Silverberg and Karen Haber, now in its second year. Similar in a way, and also good, is the annual Nebula Award anthology, Nebula Awards Showcase 2002 (Harcourt Brace Jovanovich), edited by Kim Stanley Robinson.